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Une proposition de La Musée - commissariat d'Azad Asifovich

03/12/2025 - 04/24/2025
Opening 03/15/2025
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Anne Deguelle
Anne Deguelle
La Musée, 2020
white neon, red background available on option
62x140 cm
Edition of 3 ex + 3 AP, available

Anne Deguelle
Anne Deguelle
Mortal coil, 2019
sisal, cardboard, wood
40x28x18 cm
Unique artwork, available

Anne Deguelle
Anne Deguelle
Double Portrait, Marcel Duchamp, 1997
serie Double Portrait
silver print black & white + oak frame with passepartout
149x192x5 cm framed
Edition of 3 ex + 1 AP, available

Anne Deguelle
Anne Deguelle
MD et la bouteille de Bénédictine, 2002
glass, silk paper
29,5 x diam 11,5 cm
Edition of 30 ex, available

Anne Deguelle
Anne Deguelle
Archive, 2025
pigment print on paper
42 x 29,7 cm
Edition of 1 ex + 2 AP, available

Anne Deguelle
Anne Deguelle
APERTO par TOUT à hauteur d'un chien, 1999
prix sur proposition
video colour
Edition of 5 ex, available

Anne Deguelle
Anne Deguelle
X Beuys 10, 1996
serie de 10 images série de 10, 1987-1996
artist proof, print, chalk, pencil
36,5 x 29,5 cm ° frame
Unique artwork, available

Anne Deguelle
Anne Deguelle
X Beuys 4, 1990
serie de 10 images série de 10, 1987-1996
artist proof, print, chalk, pencil
36,5 x 29,5 cm + frame
Unique artwork, available

Anne Deguelle
Anne Deguelle
X Beuys 1, 1987
serie of 10 images 1987-1996
artist proof - print, chalk, pencil
36,5 x 29,5 cm + frame
Unique artwork, available

Press release

2025 marks the twentieth anniversary of the passing of the renowned Swiss curator Harald Szeemann. His name alone conjures imaginations: that of a man who pushed the boundaries of exhibitions, transforming each project into a realm of freedom, each installation into a manifesto. With "SORRY, NOTHING IS AVAILABLE!", Anne Deguelle addresses him as if resuming an interrupted conversation.

A new work: a nod to Szeemann
In 1999, at the Venice Biennale directed by Harald Szeemann and titled dAPERTutto, Anne Deguelle slipped a camera into a dog bag and filmed the exhibition from a dog'-eye view. The result, a video entitled "APERTO par TOUT à hauteur d'un chien" (literally "APERTutto from a Dog's Perspective"), captures the Biennale from a unique angle: overlooked details, fleeting gestures, chaotic frames. This work, never shown until now, finally reveals a mischievous and poetic perspective on the event.