Raising Flags
"Raising flags" is a longterm project by Museum In Progress by Alois Herrmann and Kaspar Mühlemann Hartl, displaying flags by more than 30 Artists in various venues. In 2024 the project is shown in Vienna, Stubenbrücke, India 3600 m above sea level in Ladakh and at “sommer.frische.kunst” in Bad Gastein, Austria.
artists : Thomas Bayrle, Minerva Cuevas, Shilpa Gupta, Peter Jellitsch, Miriam Jonas, Martha Jungwirth, Gerhard Kaiser, Samson Kambalu, Peter Kogler, Agnieszka Kurant, Jonathan Meese, Maurizio Nannucci, Olaf Nicolai, Sophia Pompéry, Haleh Redjaian, Christian Robert-Tissot, Eva Schlegel und Erwin Wurm
In this context, Sophia Pompéry created "Close to the wind". The term originates from the nautical world and means to take the wind as much from the front as possible. If you sail too close to the wind, the sails start to kill. They flutter like a flag on a mast; in a broader sense, the phrase means to take a risk, to be in danger, to defy the odds, to be on the brink (e.g. of ruin). The expression is often used to describe the aggressive course of a company. „CLOSE TO THE WIN(D)“ can therefore also be seen in an economic context. This is, of course, about the winnings, about profit. - But is growth possible without losses? The banner is an experiment that exposes the much-vaunted motto to the forces at work. - „Close to the wind“, not only in sports.
New Worlds: Women to Watch 2024
Visionary artists reimagine the past, present alternate realities, and inspire audiences to create different futures. During the past few years, our world has been transformed by a global pandemic, advocacy for social reform, and political division. How have these extraordinary times inspired artists? Works by the 28 artists featured in New Worlds: Women to Watch 2024 explore these ideas from perspectives that shift across geographies, cultural viewpoints, and time.
Sophia Pompery represents Germany
Lapsus
solo show curated by Marta Smolińska
The exhibition at the Wozownia Art Gallery in Toruń is the second individual presentation of Sophia Pompéry's works in this institution.
Pompéry, who constantly moves on the borderline between physical phenomena and a kind of minimalism, combined - paradoxically - with sensual and poetic saturation of the visual form. Exploring this work, we are constantly invited to ask questions about the nature of reality, the probability and (in)possibility of the phenomena shown. Pompéry tracks absurdities and paradoxes, visualizing what is often elusive to the eye, or confronting us with small errors, noticed in places where we would least expect them. Regardless of whether we are dealing with photography, video or site-specific objects or ready mades, we are confronted with paradoxes, illogic and lapses. By lapsus we mean any unintentional human error that occurs involuntarily - as a result of absent-mindedness or simply out of inattention. This Latin word perfectly reflects the nature of these phenomena, which Pompéry, as an artist, carefully observes, as if she wanted to question their apparent obviousness.
This Play
curated by Emre Baycal
Drawn from the Arter Collection, the group exhibition This Play revolves around the concepts of childhood and play.
New order: About Art in uncertain times
In the autumn of 2021, the international exhibition NEW ORDER will explore questions of order in uncertain times.
The future seems increasingly unpredictable, the now increasingly elusive. Shaped by geopolitical upheavals, new armed conflicts, climate crises, migratory movements and, most recently, the effects of a pandemic, world events have escalated into an unsettled present. The apparent stability of the global order seems unbalanced. Most notably, the pandemic crisis has thrown global networks and the unfettered mobility of data, goods and people into disarray...The international group exhibition NEW ORDER tackles these questions by examining the concept of order in its social and aesthetic dimensions. It brings together works by artists from different generations exploring different forms of order. Topics range from scientific and political orders to critical interrogations of power structures and surveillance mechanisms to blueprints for future orders.
with : Hartmut Böhm, Monica Bonvicini, Hanne Darboven, Charlotte Eifler, Harun Farocki, Forensic Architecture / Forensic Oceanography, Andreas Gursky, Peter Halley, Barbara Herold, Jenny Holzer, Aleksander Konstantinov, Eva Kot?átková, Alicja Kwade, Sol LeWitt, Vera Molnar, Dan Perjovschi, Lia Perjovschi, Sophia Pompéry, Gabriel Rico, Richard Serra, Katja Strunz, Claudia de la Torre, Timm Ulrichs und Clemens von Wedemeyer.
Fail on another day
Sleep is overrated
A projet by Simone Zaugg and Pfelder in Kurt Tucholsky's native house
With : Heather Allen, Heike Baranowsky, Emmanuelle Castellan, Katharina Grosse, Ilona Kalnoky, Mark Le Ruez, Via Lewandowsky, Sophia Pompéry, Karin Sander, Salah Saouli, Karen Scheper, Veronika Witte, Jan Peter Zaugg, Georg Zey
Play at home
ARTER museum in Istanbul is showing on line some videos from its collection. After a first edition focused on sound , including Sophia Pompéry works, this second edition will feature nine videos, each of them focusing on the act of drawing and painting, even though their own individual contextual frames and the tools they utilize may differ from one another.
online at arter.org.tr
New adventures of Vexiollogy #5
Dancing while the earth is burning, curated by Valeska Hageney and Imke Kannegiesser
In Pompéry's flag, wind hits wet ink, which leaves the block letters unfolded. The quote quoted on the flag "I do not believe in wind force" takes on the experiment, what happens when the element (wind), which is questioned, even decomposed the statement. Pompey paraphrases the testimony of some climate critics yesterday who, despite the facts presented, continue to claim: "I do not believe in Climate Change". Pompery's experiment even goes a step further, or the statement "I do not believe in wind force" is doubly disproved, which will be exposed to the flag itself throughout the summer of 2019 during the duration of the exhibition of wind force and more and more tattered. The wind sets the strong work. Until the logical conclusion. (...)
Luv and Lee
Fine white sand meanders across the floor - the installation by Lena von Goedeke and Sophia Pompéry lends the exhibition space hase29 the atmosphere of a changeable and at the same time timeless landscape. Fragments of text hidden under the sand are exposed in an air stream or made to disappear by drifting. Everything appears fleeting and fragmentary.
Luv and Lee form the first cooperation between Lena von Goedeke (*1983) and Sophia Pompéry (*1984). A common point of departure for the subtle, ambiguous works of both artists is their interest in scientific phenomena. Pompéry and Goedeke deal in detail with borderline perceptual situations: with their own sense of absurdity, they show how unreliable, ambivalent and enigmatic perception is and how our resonance towards natural processes behaves.
"First nature was a model, today it has become an afterimage of art." (Martin Seel) The abyss of nature has fascinated us from time immemorial to the present day. Especially today - unlike in earlier times - we are no longer just indifferent viewers*, but we are beginning more and more to fear the consequences of our interventions on planet Earth and are already suspecting what could happen to nature and to us.
NATUR appears in the installation LUV UND LEE as an erratic image, as a sublime site of an intervention, in which the minimalist scenery creates an underlying disturbing irritation. Before our eyes and under our feet, "Luv und Lee" literally turns into compelling questions about ourselves and our ethics in dealing with an endlessly "used" nature. .....
Villa Heike and other stories
First exhibition in the renovated building that will host artist workshops. The show is curated by Pierre Granoux* & Michael Schäfer.
The building used to be the place where the Stasi stored its archives.
Mřenlight Sonata - A homage to the starry sky of Mřn
curator René Block
To celebrate its tenth anniversary, Kunsthal 44Mřen will put together a special constellation of stars under the lyric name "Mřenlight Sonata", alluding to Beethoven's 14th sonata for piano, which he also referred to "quasi una fantasia". The show will present a cross-section of the Kunsthal's program so far, as well as newly commissioned works by artists from Bulgaria, Finland, Germany, Great Britain and Turkey that are still new to the island. What connects the works of these individual artists is the specific use of light, as subject and material. Light (or the absence of it) is not only one of the oldest topics in art history, but also a special condition on Mřn ? during the day, but also at night.The 10 year anniversary of Kunsthal 44Mřen is conceived to be a summer festival, an invitation to all groups of local residents and visiting guests to celebrate the sky over Mřn.
Aufschlagen, solo show
Der Schein der Dinge
solo show by Sophia Pompéry
Sophia Pompéry is a keen observer. With a phenomenological vision onto the world she questions the deceptive appearance of things and opens up unusual perspectives on apparently well-known objects and conditions. At studio space 45cbm she presents a set of works, that pay homage to the elusive moment, with a focus on the transition from one state of being to another. In a playful experimental set-up physical and optical regularities are being fathomed out, and philosophical questions concerning space, time and self are raised.
Skulpturen am Rheinkilometer
Illegibility, Palimpsests
The Pan Tadeusz Museum in Wroclaw is a place where history and modernity come together. Based on the best traditions of Polish Romanticism, it continues to promote the most vivid and active aspects of Polish culture, seeking a language which makes it possible to present the cultural legacy of this great work of literary art in a contemporary context, allowing room for reinterpretation
The phenomenon of illegibility and the accumulation of layers of script is the subject of the new temporary exhibition at the Pan Tadeusz Museum. The exhibition includes works e.g. by Andrzej Bednarczyk, Irma Blank, Zbigniew Libera and Andrzej Szewczyk.
Most of us have experienced writing down a note which is later illegible, even to ourselves; it has occurred to almost everyone that we failed to decipher someone else's scribbling, or have come across a system of signs that we couldn't understand. How do we feel then: irritated, helpless, powerless? Or perhaps, in those conditions, when the desire for meaning evades us so blatantly, do we discover perception of different kind, where the script becomes a material phenomenon in itself, a fascinating ornament, a code without information? We see scripts which are visible, but not legible.
The notion of a palimpsest appears to be closely related to illegibility. This term describes a manuscript written on previously used material. A palimpsest involves layers of overwritten script, in which the old layers eventually begin to reappear from below the new, making the writing less legible, if at all.
Line and Dot
The line and the dot, these ancient characters of script, become cues for two radical and experimental artworks exhibited during Appropriating Language #17, in Maničre Noire. With both pieces: Und Punkt as well as Häuserzeilen. 1600 Meter Monostichon, Sophia Pompéry examines the visual form of writing, given extreme amplifications.
Illegibility, the context of script
Curated by Marta Smoliska
Martin Gropius Bau, Berlin
O Wlos! / By a hair!
Contributing artists: Krystyna Piotrowska, Aleksandra Ska, Servet Kocygit (Turkey), Sara Skaaning (Denmark), Pawe Matyszewski, Ewa Juszkiewicz, Magorzata Wielek-Mandrela, Ula Kluz-Knopek, Beata Szczepaniak, Zofia Krawiec, Justyna Or?owska, Beata Szczepaniak, Sophia Pompery (Germany).
Fragments of an Empire
curators : David Elliott & Rachel Rits-Volloch
featuring Kader Attia, Lut Becker, Theo Eshetu, Amir Fattal, Gülsun Karamustafa, Fiona Parkington et Sopia Pompéry
#Crosswords 2
an exhibition about text based art
selected by Pierre Granous & Jordan Seydous
image : Sophia Pompéry - der letze Punkt aus "die Leiden des junge Werther" by Goethe (series Und Punkt, 2013)
avec Art & Language, Georg Baselitz, Patxi Bergé, James Brooks, Ursula Döbereiner, Maurice Doherty, Reinhard Doubrawa, Adib Fricke, Pierre Granoux, Alekos Hofstetter, Annette Hollywood, Mark Lammert, P. Nicolas Ledoux, Nanne Meyer, François Morellet, Alexander Negrelli, Sophia Pompéry, Marc Rebollo, Lawrence Weiner and others
Festival of Future Nows
Work by Sophia Pompéry :
Weather Chart, 2014
2 banners, light sensitive ink on polyester
Vertigo of Reality
How does today's art alter reality? How do aesthetic production and political, social space interact with each other?
with Marina Abramovic, Art+COM, Herman Asselberghs, Alexander Bruce, Peter Campus, Andrea Clemens, Thomas Demand, Ariana Dongus, Olafur Eliasson, Valie Export, Christian Falsnaes, Harun Farocki, Rosa Feigs, Hamish Fulton, Jochen Gerz, Dan Graham, gold extra, Lars Harzem/ Bastian Schmidt, Alex Hay, Jeppe Hein, Lynn Hershman Leeson, Richard Kriesche, Bjřrn Melhus, Sarah Möller/ Christian Brinkmann/ David Wiesner, Molleindustria, Bruce Nauman, Julian Oliver/ Danja Vasiliev, Trevor Paglen, Paidia Institute, Nam June Paik, Michelangelo Pistoletto, Sophia Pompéry, Franz Reimer, Ulrike Rosenbach, Tino Sehgal, Tale of Tales, Nasan Tur, Bill Viola, Giny Vos, Thomas Wrede.
Art and Health
Sanofi Headquarters, Potsdamer Platz 8, Berlin.
Anton BURDAKOV | Olafur ELIASSON | Philip HAUSMEIER
Miriam JONAS | Caroline KRYZECKI | Ulrike MOHR | Sophia
POMPÉRY/Sebastian RIEMER | Maren ROLOFF | Bettina SCHOLZ (shows Antonius BLOCK) | Aiko TEZUKA | Timm ULRICHS | Sinta WERNER
Pompéry & Scholl
Bredowstraße 35a, 4. OG
10551 Berlin-Moabit
Berlin.Status (2)
Science Center Spectrum
